When more than one film releases
on a single day, it’s more likely that theaters out of valley (mofasal, as it is called) preferably screens typical
mainstream formula movie. Chances are higher when there is Rekha Thapa, Aaryan
Sigdel, Rajesh Hamal or Jeewan Luitel involved. That is why I could not watch
Sadanga because the cinema hall screened Bhoolbhoolaiya, and recently Nai
Nabhannu La 3, because Hawaldaar Suntali was being shown. It was my luck that
Mala got a solo release.
I currently reside in Bhalubang,
Dang due to my job, and here is one hall "Bhole Chalchitra Mandir", a medium sized old-aged single
theater, which looks completely out of date. Screen lacks brightness and
contrast, and there are hardly any absorbers, due to which sound is too noisy
and unpleasant to ears. No digitalization! Ticket rate for balcony is
only NRs. 70. What could it offer on that price, and what profit does it make
as the regular number of audience is below 20 most of the times? Seats are
covered with jute bags! Have a look at these inside photos. It smells very bad
condition of hall and of movies.
(Photos were taken by me, to share about the condition of cinema halls outside valley)
Multiplexes with more than two screens are mostly in Kathmandu only. Only some other big cities like Narayanghat, Butwal, Hetauda, Pokhara. etc have them outside valley. Majority of cinema halls in other districts are single theaters, which actually happen to be important market of Nepali movies. Such theaters are mostly old, and not digitalized. the point is it cannot justify the technical progress that Nepali film industry has achieved.
Coming to multiple release issue,
often in news, it can be heard that formula movies get more number of screens
than out-of-mainstream movies. By formula, I mean movies of Lajja, Himmatwali,
Bhoolbhoolaiya, Hawaldaar Suntali, etc. kinds. (Rekha Thapa undoubtedly is the
queen of such conventional cinemas. She knows how to make money. Next is
Chhabiraaj Production.)
It is not so good for movies to
get released in same day as it hampers the business, and thus the whole
industry that actually is in necessity of uplifting and upgrading. However, in
good angle, only good movies can come forward through the competition, which
can be fruitful in terms of quality concern. There are some examples too such
as both Kabaddi and November Rain were hits despite releasing on same date
(Baisakh 11, 2071). Ditto is for Hawaldaar Suntali and Nai Nabhannu la 3. Now,
again on Baisakh 11, 2072, two movies are releasing. One is most awaited and
much hyped dark comedy Resham Filili, all credits to superhit awesome song
Jaalma. Other is re-release: Jhola, absolutely brilliant movie based on Sati
Pratha, superhit already on first release back on Magh, 2071. I wish both of
them super success.
Case is even more complex when
more than two, sometimes up to four or five, movies are released in a single
Friday. Film producers, distributors, development boards must have a think
about the issue, and the efficient measure shall be adopted. I’ve heard of
box-office establishment for quite a long time now, but where is it? No
transparency!
Supporting Nepali Cinema always.
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